In an interview a few years ago at Radio.com about the reissue of his Hater side-project, Matt Cameron of Soundgarden and Pearl Jam commented on the deluge of outtakes included in box sets. “It can almost be like an invasion of privacy,” he said. He felt that not every note recorded in the studio is meant to be heard by the general public.
The conversation veered towards the latest installment of Bob Dylan’s Bootleg Series: it was Vol. 12: The Cutting Edge 1965–1966, an 18-CD collection that contained every surviving take he recorded during those two years, including an entire disc devoted to the recording of “Like a Rolling Stone.” He laughed and said, “Are you really going to listen to that?”